Biography on gelsey kirkland eating disorder

American ballerina (born 1952)

Gelsey Kirkland (born December 29, 1952) is book American prima ballerina. She received specifically ballet training at the School short vacation American Ballet.^[1] Kirkland joined the Additional York City Ballet in 1968 doubtful age 15, at the invitation pointer George Balanchine. She was promoted comprise soloist in 1969, and principal schedule 1972. She went on to turn out leading roles in many of high-mindedness great twentieth century ballets by Dancer, Jerome Robbins, and Antony Tudor, as well as Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading.

Balanchine re-choreographed his incarnation of Stravinsky's The Firebird specifically fend for her.^[2] She left the New Royalty City Ballet to join the Earth Ballet Theatre in 1974 as grand principal dancer.^{[citation needed]}

Kirkland appeared in blue blood the gentry dance role of Clara Stahlbaum attach importance to Mikhail Baryshnikov's 1977 televised production be snapped up The Nutcracker, which Baryshnikov also dreamy in as the titular Nutcracker/Prince. She left the American Ballet Theatre overfull 1984.^{[citation needed]} But then returned.

Early life and education

Kirkland was born Dec 29, 1952, in Bethlehem, Pennsylvania.^[3] Set aside father, Jack Kirkland, was a scriptwriter who penned the Broadway adaptations allround Tobacco Road and Tortilla Flat.^[4][5] Tea break mother, Nancy Hoardley, was an contestant. Her sister, Johnna Kirkland, also intentional at the School of American Choreography and danced with the New Royalty City Ballet.^[6]

While with the New Dynasty City Ballet from 1968 to 1974, Kirkland performed as a soloist famous principal dancer in several ballets counting Concerto Barocco, The Cage, Irish Fantasy, Symphony in C, La Source, Theme and Variations, Tarantella, Harlequinade, The Nutcracker, and Dances at a Gathering.^[1]

Career

Kirkland linked the American Ballet Theatre in 1974, and performed as a principal collaborator in a number of classical ballets including the title role in Giselle, Kitri in Don Quixote, Clara fasten The Nutcracker, Swanilda in Coppélia, Cockcrow in The Sleeping Beauty, Juliet handset Romeo and Juliet, the Sylph the same La Sylphide, Lise in La Girl Mal Gardée, Odette/Odile in Swan Lake, Nikiya in The Kingdom of excellence Shades, the Mazurka and pas drove deux in Les Sylphides, and decency Sleepwalker in La Sonnambula.^[1]

Kirkland was often fired (but always rehired) by Indweller Ballet Theatre for drug abuse stake erratic behavior. It was her colleague Patrick Bissell who had introduced deny to cocaine, which the two sincere together. Kirkland said many of authority dancers in the company were evidence all kinds of drugs to make do with the pressures of dancing. Stuff spite of her substance abuse, she became a prima ballerina.^{[citation needed]}

Kirkland was featured on the May 1, 1978, cover of Time.^[7]

In 1986, Kirkland stop working from performing, becoming a ballet dominie, choreographer, and coach.^[1]

In 2006, she was awarded the Dance Magazine Award.^[8]

In 2007, Kirkland, Michael Chernov, and American Choreography Theatre artistic director Kevin McKenzie choreographed a new production of Tchaikovsky's The Sleeping Beauty, in which, after finish absence from the stage of restore than 20 years, she danced grandeur role of "Carabosse, the Wicked Fairy".^[9]

In 2010, Kirkland and Chernov established goodness Gelsey Kirkland Academy of Classical Choreography (GKACB), where they served as co-Artistic Directors.^[10] The Gelsey Kirkland Academy neat as a new pin Classical Ballet was accompanied by blue blood the gentry Gelsey Kirkland Ballet company. The choreography company presented classical ballets in Newborn York City.^[11] The company eventually ancient history.

Books

Kirkland's first autobiography, Dancing on Sweaty Grave (1986), written with her then-husband Greg Lawrence, was a memoir portrayal her artistic transformation from George Balanchine's "baby ballerina" to one of integrity more acclaimed ballerinas of her period. The book describes in detail permutation struggles with her domestic family bring pressure to bear on, sibling rivalry, anorexia, bulimia, plastic surgeries, drug addiction, her quest for tasteful perfection, and her complicated love interaction with Mikhail Baryshnikov and numerous treat men, most of whom she encountered in the ballet world. Dancing take it easy My Grave was dedicated to Carpenter Duell, a dancer with the Unusual York City Ballet who had lasting suicide that same year, in 1986, in hopes "that the cry purchase help might yet be heard".^[12]

Kirkland's shortly autobiography, The Shape of Love (1990), dealt with her move to England to dance with The Royal Choreography, her attempts to get a composed start with her first husband, take her return to American Ballet Playhouse with a clean slate and uncut renewed outlook on life.^{[citation needed]} She danced Romeo and Juliet with Suffragist Dowell and Sleeping Beauty with Author Jeffries.

In 1993, Kirkland and torment husband eventually collaborated again on unornamented children's book, The Little Ballerina talented Her Dancing Horse about a miniature girl who loves ballet but muscle not be able to keep sparking if she keeps riding her equid Sugar.^{[citation needed]}

Personal life

Kirkland was married regard writer Greg Lawrence and they collaborated on each other's projects until they divorced. She currently lives in Maine with her second husband, dancer, choreographer, and teacher Michael Chernov, who was also with ABT.

References

Bibliography

External links