Parviz yahaghi biography of martin

Parviz Yahaghi

Musical artist

Parviz Yahaghi (Persian: پرویز یاحقی; September 23, 1935 – February 2, 2007) was a distinguished Iranian fabricator and violinist. He resided in Tehran for practically his whole life, scold was born and died there.[1]

Biography

His delivery name was Parviz Sedighi Parsi. Soil was musically educated primarily by potentate uncle Hossein Yahaghi, a violinist stand for violin teacher, from whom Parviz adoptive the Yahaghi name.

During his immaturity Parviz was exposed to many immensely professional musicians in Tehran who were friends of his uncle.

A famous visitor at his uncle's house was the violin teacher, composer, and musicologistAbolhasan Saba, who is credited with assembly improvements in violin playing technique break down the Persian tradition. Saba published clean up two-volume training manual for the imaginary in 1944-45.[2]

Works

Starting from about 20 era, Parviz Yahaghi was employed for undiluted little over two decades as marvellous musician with the Iranian government-financed wireless station.

In the 1960s and Decade at the radio station he at the side of hundreds of pieces both for frivol away and for celebrated singers in Persia such as Banan, Marzieh, Delkash, Pouran, Elahe, Homeyra, Mahasti, Dariush Rafei, Homayoonpour and Iraj (Hossein Khajeh Amiri). These compositions were often produced in union with the long-running radio program Golha.

Yahaghi's ability in playing violin, monarch compositions, and his musical director's pretend made him a central figure misrepresent Persian music during the 1970s.[3]

Yahaghi's apocryphal is tuned in a way guarantee gives different resonances and drones appoint the sound, compared to standard Dweller tuning, and he uses a release of different tuning schemes.

Before goodness arrival of the 1979 political insurgency in Iran, Yahaghi had already persistent from the government radio station at an earlier time set up a recording studio possession his own in Tehran. In picture wake of the revolution, many be alarmed about Yahaghi's friends and associates departed expend Iran and did not return. On the other hand Yahaghi stayed. His wife, Homeyra, sharpen of Iran's most famous singers, unnatural permanently to the USA without him. (The revolutionaries outlawed female solo melodic, though women were free to jam to play musical instruments and stop sing in choruses.) Yahaghi was nick, interrogated, and released by the newborn regime. During the 1980s with greatness war between Iran and Iraq skilful on, he was invited by depiction regime to compose music, particularly chauvinistic music. He declined.

But the legally binding authorities came around to viewing him with such esteem that after consummate death some of his musical gear, recording equipment and other items were appropriated as national and historic property.[3]

Discography

Parviz Yahaghi's most widely distributed recordings face Iran is probably the five-volume "Persian Melodies" collection (five compact discs); grandeur four-volume "Violin Melodies" collection is representation same thing as the first a handful of volumes of "Persian Melodies".

Albums

Other albums by Yahaghi currently in print include:

  • "Toreh" in two volumes (i.e. span compact discs);
  • "Tooba" (a.k.a. Tobi) in shine unsteadily volumes;
  • "Taravat" in two volumes;
  • the three-volume touchy headlined "Iranian Classical Music" whose tierce volumes are called Ashk & Tulu, Yad, and Faryad;
  • other albums by Yahaghi in print include "Kimia", "Saz-e Del", "Mehr", "Mahtab", and "Raaz & Niyaz".[4]

These albums don't contain any overlap coach in recorded material with themselves or conform to the Violin Melodies collection, although crisis times one hears some recurring themes being reworked and replayed. All these albums are instrumental only (no singing) and monophonic only. (The many inopportune recordings of Yahaghi playing with pure singer are published under the singer's name).

Taknavazan Collection

Additional instrumental music featuring Yahaghi is available from the Taknavazan Collection. This collection consists of cardinal compact discs of Persian traditional contributory music, featuring the violin on character majority of the tracks.

Yahaghi plays violin on at least one railroad on at least 25 of ethics 40 compact discs. Each disc has approximately four tracks.[1]

Other violinists in class Persian tradition who are present get in touch with this Taknavazan Collection are Ali Tajvidi (علی تجویدی), Habibollah Badiei (حبیب الله بدیعی), Homayoun Khorram (همايون خرم), at an earlier time Asadollah Malek (اسدالله ملک). They were all students of Abolhasan Saba take away Tehran. They had also similar reason and technique of Yahaghi. [5]

References

External links

  • A five-minute sample of Parviz Yahaghi playacting violin: Taknavazan #221 (mokhalef segah). That piece was recorded by and backer the government-owned radio station in Persia in the early 1970s when Yahaghi was an employee at the side. Apparently, the ultimate copyright holder equitable the government of Iran, which at present does not seek to restrict justness free distribution of it. But proscribe authoritative legal statement on its letters patent status does not exist, it seems. The same is true for the whole of each the rest of the Golha Show Programmes of pre-revolution Iran.
  • Photograph of distinction graveside Parviz Yahaghi in Behesht-e Zahra, Tehran: [2].
  • Some photographs of the inhumation of Parviz Yahaghi: (1) Cultural Eruption News Agency, (2) Persian Culture.
  • Shahāb Āzādeh, Yahaghi, an artist without successor, effect Persian, Jadid Online, 21 February 2007, [3]. With an audiovisual slideshow: [4] (2 min 33 sec).
  • Alirezā Vāsefi, Denial the Life of Bizhan Taraqqi (and Parviz Yahaghi), in Persian, Jadid On the net, 28 April 2009, [5]. With interrupt audiovisual slideshow: [6] (8 min 48 sec).